PEGGY SUE ![]()
Writing for Allmusic, rock critic Bruce Eder states his case well: “Buddy Holly is perhaps the most anomalous legend of ’50s rock & roll – he had his share of hits, and he achieved major rock & roll stardom, but his importance transcends any sales figures or even the particulars of any one song (or group of songs) that he wrote or recorded. Holly was unique, his legendary status and his impact on popular music all the more extraordinary for having been achieved in barely 18 months. . . . In a career lasting from the spring of 1957 until the winter of 1958-1959 – less time than Elvis had at the top before the army took him (and less time, in fact, than Elvis spent in the army) – Holly became the single most influential creative force in early rock & roll. . . .
“Holly and the band weren’t afraid to experiment even on their singles, so that ‘Peggy Sue’ made use of the kind of changes in volume and timbre on the guitar that were usually reserved for instrumental records; similarly, ‘Words of Love’ was one of the earliest successful examples of double-tracked vocals in rock & roll, which the Beatles, in particular, would embrace in the ensuing decade.”
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The confusion spread to the general public as well, since some of his 45’s were released under the name Buddy Holly, and others as the Crickets (often with Holly’s name nowhere in sight, even as a songwriter). In spite of this, Buddy Holly and/or the Crickets had numerous hit songs, among them “Not Fade Away”, “Everyday”, “Listen to Me”, “Oh Boy!”, “Peggy Sue”, “Maybe Baby”, “Rave On”, “Heartbeat”, and “It’s So Easy”.
(June 2013/1) * * *
When a young band or musician is just starting out, they would often come to the recording studio with a handful of finished songs and others that were only partially written. The more experienced record producer or arranger would then help the band flesh out the other songs and, as a result, frequently receive partial credit for having written the songs.
This was also used as a device to compensate the producer. On many of Buddy Holly’s records, their producer Norman Petty is listed as one of the songwriters; and the same is true of Robert ‘Bumps’ Blackwell on those by Little Richard.
Sometimes Buddy Holly himself isn’t credited as a songwriter; that happened with one of his best known recordings, “Peggy Sue”, but at Jerry Allison’s insistence, his name was added to the credits after his death.
(April 2015/1)
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