The Byrds  were an American rock band, formed in Los Angeles, California in 1964.  Although they only managed to attain the huge commercial success of contemporaries like the Beatles, the Beach Boys, and the Rolling Stones for a short period (1965–66), the Byrds are today considered by critics to be one of the most influential bands of the 1960’s.  Initially, they pioneered the musical genre of folk rock, melding the influence of the Beatles and other British Invasion bands with contemporary and traditional folk music.  As the 1960’s progressed, the band was also influential in originating psychedelic rock, raga rock, and country rock.  The band’s signature blend of clear harmony singing and McGuinn’s jangly twelve-string Rickenbacker guitar has continued to be influential on popular music up to the present day.  (More from Wikipedia)

One day not so long ago, I was looking at the Wikipedia entry on “Eight Miles High” by the Byrds – a song like this has its own article that (among other things) talks about various versions and covers of the song – and there was a quote in the introductory section from someone at Rolling Stone saying that this was the first psychedelic rock song.  I changed the intro and wondered how the RS guy could have thought that.  My comment started a discussion with another Wikipedian about this; I noted that the 13th Floor Elevators were advertising themselves as a psychedelic rock band the year before, and he countered that this doesn’t mean they were playing true psychedelic rock songs.  Anyway, the link to the Rolling Stone quote no longer pointed to anything, so now the introduction says this (I think the caveat “bona fide” was my idea):  “Accordingly, critics often cite ‘Eight Miles High’ as being the first bona fide psychedelic rock song.” 

I am a big fan of “Eight Miles High”; besides the original by the Byrds (the song was written by bandmembers Gene Clark, Jim McGuinn and David Crosby), Golden Earring recorded a side-long extended treatment of “Eight Miles High” that I simply love, and past UARB Index covered “Eight Miles High” on their first album. 

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According to Wikipedia:  “John Einarson has noted that the influence of [John Coltrane]’s saxophone playing and, in particular, his song ‘India’ from the Impressions album, can be clearly heard in ‘Eight Miles High’ — most noticeably in [Jim] McGuinn’s recurring twelve-string guitar solo.  In addition to this striking guitar motif, the song is also highlighted by Chris Hillman’s driving and hypnotic bass line, [David] Crosby’s chunky rhythm guitar playing, and the band’s ethereal harmonies.” 

Another important influence is the sitar music of Ravi Shankar, “particularly in the droning quality of the song’s vocal melody and in [Jim] McGuinn’s guitar playing” (as noted in Wikipedia).  The Byrds even brought a sitar with them to a press conference that was used to promote “Eight Miles High”, even though a sitar was not used in the recording. 

Ravi Shankar is an acknowledged master of the sitar and began promoting Indian classical music in 1956, including appearances at major music gatherings like the 1967 Monterey Pop Festival (Shankar’s first performance at a rock event) and the original Woodstock in 1969.   

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“Eight Miles High” is essentially a reference to an airplane ride; from Wikipedia:  “Although commercial airliners fly at an altitude of six to seven miles, it was felt that ‘eight miles high’ sounded more poetic than six and also recalled the title of the Beatles’ song ‘Eight Days a Week’. . . .  Other lyrics in the song that explicitly refer to the Byrds’ stay in England include the couplet:  ‘Nowhere is there warmth to be found / Among those afraid of losing their ground’, which is a reference to the hostile reaction of the UK music press and to the English group the Birds serving the band with a copyright infringement writ, due to the similarities in name.  In addition, ‘Round the squares, huddled in storms / Some laughing, some just shapeless forms’ describes fans waiting for the band outside hotels; while the line ‘Sidewalk scenes and black limousines’ refers to the excited crowds that jostled the band as they exited their chauffeur-driven cars.” 

Perceived drug references in the lyrics caused a broadcasting ban on “Eight Miles High” in the U.S. shortly after its release; and largely as a result, the song stalled at #14 on the Billboard Hot 100 and #24 on the UK singles chart.