THE IMPRESSIONS ![]()
Vanilla Fudge had a well developed formula of covering a variety of hit songs in a slowed down, psychedelicized manner; their debut album, Vanilla Fudge (1967) was filled with them: the Supremes hit “You Keep Me Hanging On” (which is what got them signed in the first place to the Atlantic Records affiliate, Atco Records); two Beatles songs, “Ticket to Ride” and “Eleanor Rigby”; an Impressions classic “People Get Ready”; the Zombies song “She’s Not There”; and Sonny and Cher’s “Bang Bang”. (April 2014) * * * One of the early songs that I remember with a Christian theme is “People Get Ready”, which was a #14 hit for the Impressions in 1965. The theme is likely the tumultuous changes that were roiling the nation in the mid-1960’s, like the Civil Rights Movement; but the “train” that is mentioned frequently in this song is basically the same one in the Peter, Paul and Mary song, “This Train” mentioned earlier, whose lyrics include: “This train is bound for Glory, this train”. The songwriter, Curtis Mayfield is quoted in Wikipedia as saying of “People Get Ready”: “That was taken from my church or from the upbringing of messages from the church. Like there’s no hiding place and get on board, and images of that sort. I must have been in a very deep mood of that type of religious inspiration when I wrote that song.”
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In 1957, the Roosters changed its name to Jerry Butler and the Impressions; they had an unforgettable hit in 1958 with “For Your Precious Love” (Butler had written the lyrics when he was only 16). Jerry Butler and the band parted amicably later that year, and Butler launched a solo career; his 1960 single “He Will Break Your Heart” hit #1.
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In 2007, Kent Records put together a CD called The Right Tracks, covering 29 of the recordings that Billy Butler made at Okeh Records. Writing for Allmusic, Richie Unterberger gives the CD 4½ stars and says: “First and foremost, [Billy] Butler, though far less celebrated than his older brother Jerry Butler, was a fine singer and songwriter in his own right, producing consistently good pop-soul discs that were rather reminiscent of the Impressions (and, at times, Major Lance, another Chicago soul artist with strong connections to Curtis Mayfield). In addition, if you are a fan of Mayfield’s mid-’60s work with the Impressions and as a songwriter/producer, this has some of his best overlooked work in the latter capacity.”
(July 2014) |