I AM WOMAN ![]()
There is a strong feminist stance in women’s music, however; and that was largely absent from the music scene in the mid-1970’s, Helen Reddy’s “I Am Woman” (1972) notwithstanding. Besides her own fine compositions, Meg Christian reinterprets a Rolf Kempf song, “Hello Hooray” as a feminist anthem, with some new lyrics that she added. The song had been included on one of Judy Collins’ best albums, Who Knows Where the Time Goes (1968). Jimmy Webb is not a songwriter where one would expect feminist sensibilities, but Meg reworks his song “The Hive” as a tale of female oppression – not at all the way that Richard Harris performed the song several years earlier. Meg Christian also covers one of Cris Williamson’s songs, “Joanna”; a single lyric in “Joanna”, “I need to touch you” was the only hint of lesbianism on the Cris Williamson album.
(January 2014)
* * *
As I remember, the interview that was spread across the cover of Living in the Streets was where I first learned that Kim Fowley had worked with Helen Reddy, of “I Am Woman” fame – specifically, her albums Ear Candy (1977) and We’ll Sing In The Sunshine (1978). Of the long list of musicians and bands who worked with Kim – and there have been dozens of them that I have learned about myself – she is the most surprising.
(January 2015/1)
|