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Tori Amos

TORI AMOS
 
 
Tori Amos  (born Myra Ellen Amos; August 22, 1963) is an American singer-songwriter, pianist and composer.  Having already begun composing instrumental pieces on piano, Amos won a full scholarship to the Peabody Institute at Johns Hopkins University, the youngest person ever to have been admitted, at age five.  She was expelled at age eleven for, in her own words, insisting on playing by ear and because of her interest in popular rock music.  She has since become one of the world’s most prominent female singer-songwriters whose songs have discussed a broad range of topics from sexuality, feminism, politics and religion.  She was also noteworthy early in her solo career as one of the few alternative rock performers to use a piano as her primary instrument.  (More from Wikipedia)
 
 
Where musical talent comes from is anybody's guess.  “Practice, practice, practice” is the way to get to Carnegie Hall for sure, but there are prodigies and savants who don’t follow that rule.  A lot of musicians begin really young, but the only true prodigy that I know of who made it big in the rock world is North Carolina’s own Tori Amos, who could play the piano before she could speak.   The fans of her excruciatingly personal songs are among the most devoted on earth; and, long before Google came along, there were dozens of websites honoring her. 
 
(June 2011)
 
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In 1998, an organization called Native American Music Association & Awards was started in order to bring awareness of the contributions of Native Americans to music in all its forms; the Awards have been presented annually since that time.  The surprise at taking even a quick glance at their “Did You Know” roster at http://www.nativeamericanmusicawards.com/halloffame.cfm is the incredible number of stars of popular music who have Native American blood – the tribe or confederation name(s) are given in parentheses here and elsewhere in this post:  Elvis Presley (Cherokee), Jimi Hendrix (Cherokee), Hank Williams (Choctaw), Willie Nelson (Cherokee), Ritchie Valens (Yakui), Aaron Neville and the Neville Brothers (Choctaw/Cherokee), Loretta Lynn and her sister Crystal Gayle (Cherokee), Kitty Wells (Cherokee), Wayne Newton (Powhatan), Michael Jackson and the Jacksons (Choctaw/Cherokee), Link Wray (Shawnee), Richie Havens (Blackfoot), Robbie Robertson of the Band (Mohawk), Tina Turner (Navaho), Cher (Cherokee), Rita Coolidge (Cherokee), Eddie Van Halen of Van Halen (Native Hawaiian – Native Americans who are not among those often called Indians), Tori Amos (Cherokee), Toni Tennille of the Captain and Tennille (Cherokee), Billy Ray Cyrus and his daughter Miley Cyrus (Cherokee), Anthony Kiedis of Red Hot Chili Peppers (Mohican), LL Cool J (Cherokee), Beyoncé (Creole), etc.  

 

Tommy Allsup (Cherokee) was a member of Buddy Holly’s new band in 1959; he “lost” a coin flip with Ritchie Valens and was thus not on board the airplane that crashed on the day the music died.   

 

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Bill Miller’s big break came in 1994 when Tori Amos heard his album, The Red Road and asked him to open for her on several dates during the tour to support her album, Under the Pink.  I saw him perform on that tour at one of the campuses of City University of New York (CUNY), as I recall.  Bill Miller has since played with several prominent musicians such as Eddie Vedder of Pearl Jam, Richie Havens, the BoDeans, and Arlo Guthrie and has written songs with Nanci Griffith, Kim Carnes and bluegrass musician Peter Rowan. 

 

(August 2013)

 
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Robert Tepper, Modern Madness – I have seen this record show up on the Internet in a few slots, since it features Tori Amos among the background singers.  Her under-rated debut effort Y Kant Tori Read – technically an album by the rock band Y Kant Tori Read rather than an album by Tori Amos individually like all of her later records – came out in the same year. 
 
(December 2015)
 
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Since I am down to a quarterly schedule rather than a monthly schedule, my annual list is a lot shorter, so I will try listing all of the people that I have discussed in some depth rather than just the Under Appreciated Rock Band and the Story of the Month. They are all punk rock bands of one kind or another this year (2015-2016), and the most recent post includes my overview of the early rap/hip hop scene that an old friend, George Konstantinow challenged me to write – probably so long ago that he might have forgotten.
 
 
(Year 7 Review)