ROBERT PLANT ![]()
The 1980’s rockabilly revival was sadly short-lived. The Stray Cats had some MTV hits and put out a few albums, but their front man Brian Setzer drifted away and played with Robert Plant’s retro-rock side project the Honeydrippers in 1984 before transforming himself further to help spur a swing revival with the Brian Setzer Orchestra in the mid-1990’s. (May 2011) * * * Lead singer Robert Plant of Led Zeppelin heard “Heartbreak Hotel” when he was just 8 years old; he has said that the song “changed my life”: “It was so animal, so sexual, the first musical arousal I ever had. You could see a twitch in everybody my age. All we knew about the guy was that he was cool, handsome and looked wild.”
(June 2013/1)
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I found a couple of quotes from Robert Plant about “Stairway to Heaven” on a website called enotes.com: “It [the song] was done very quickly. It took a little working out, but it was a fluid, unnaturally easy track. It was almost as if — uh oh — it just had to be gotten out at the time. There was something pushing it saying, ‘You guys are okay, but if you want to do something timeless, here's a wedding song for you.’ . . . Robert Plant once stated that the song was ‘. . . a woman’s quest for spiritual perfection’ and ‘. . . a simple wedding song’.”
In an interesting take on the legacy of this song, Wikipedia adds: “Erik Davis, a social historian and cultural critic, commented on the song’s massive success, subsequent backlash and enduring legendary status: ‘“Stairway to Heaven” isn’t the greatest rock song of the 1970’s; it is the greatest spell of the 1970’s. Think about it: We are all sick of the thing, but in some primordial way it is still number one. Everyone knows it. . . . Even our dislike and mockery is ritualistic. The dumb parodies; the Wayne’s World-inspired folklore about guitar shops demanding customers not play it; even Robert Plant’s public disavowal of the song — all of these just prove the rule. “Stairway to Heaven” is not just number one. It is The One, the quintessence, the closest AOR [album-oriented rock] will ever get you to the absolute.”
(November 2014)
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