ASYLUM RECORDS ![]()
Two of his songs (Ron Franklin writes all of his own material) basically quote Bob Dylan. The other is “We Ain’t Got No Home”, which has a title and some lyrics that are virtually the same as Woody Guthrie’s “I Ain’t Got No Home”. In the very beginning, Dylan was described as being just one among a host of Guthrie wannabes; but “I Ain’t Got No Home” is one of the very few Guthrie songs that Dylan recorded, even before he did much songwriting – I speak as someone owning dozens of Dylan bootleg albums as well as virtually all of his Columbia and Asylum releases. (January 2012) * * * When David Geffen’s Asylum Records purchased his recording contract for $1,000,000 from Fantasy Records (later joined by Warner Bros. Records) – though those rights applied only for North America; Fogerty’s worldwide rights remained with Fantasy – John Fogerty finally was able to re-establish himself as a major rock artist with his 1985 hit album Centerfield. The title track, “Centerfield” quickly became one of the best-loved baseball songs in the country. Fogerty couldn’t resist tweaking his old nemesis Saul Zaentz at Fantasy with two other tracks, “Mr. Greed” and “Zanz Kant Danz” (about a pig who can’t dance but would “steal your money”); after a while, he was forced to change the name of the latter song to “Vanz Kant Danz”. (January 2013) * * * There is a Bob Dylan album that scores even lower in Allmusic, and here I need to put on my “Under Appreciated” hat – the 1973 release Dylan yields just *. As I recall, it was also the last release on Columbia Records before Bob Dylan jumped ship to Asylum Records; and record companies are often spiteful in such cases, untold millions of dollars of earnings for the corporation notwithstanding.
(August 2014)
|