JOHANN SEBASTIAN BACH ![]()
What Rev. Nicholas T. Freund found there was a revelation, and did he show up on a good night that first time: The performers were Cream, Quicksilver Messenger Service and Big Brother and the Holding Company. He recounts in the CD’s liner notes: “Eric Clapton’s guitar playing amazed me. . . . Janis Joplin . . . blew me away. The next day, the kids said: ‘Get your records out! Nick's been to the Fillmore!’ I became interested in adapting the San Francisco sound to church music.” As Nick Freund puts it: “I enjoy Bach and Gregorian chant. But I don’t see it as an expression of today. It’s like a beautiful old painting in a museum – you admire and appreciate it, but it has no relevance to ‘Now’. We should express our worship of God in terms we use today.” Also: “I could spend years writing a classical concert, and nobody would ever hear it.” * * * “Side 2” is subtitled Mass for the Secular City and is, I suppose, a proper Mass set to popular rhythms. The performance also tells the story of a musician named Johnny Lamb who comes to the city in search of fulfillment. The choir is accompanied by a full band, and the same powerful organ on the Search Party’s Montgomery Chapel is in evidence on this music. There are a few bonus tracks at the end of this CD that include Bach’s “Prelude and Fugue in G Minor” – over which the history of St. Pius X Seminary is told – and “Hail Mary”. (September 2014) * * * Wikipedia states: “The band [Eleven] cites their major influences as Jimmy Page and Led Zeppelin, Queen, The Beatles, Johann Sebastian Bach, and Sergei Prokofiev. With Chris Cornell [of Soundgarden and Audioslave], they recorded [Natasha] Shneider’s arrangement of Franz Schubert’s ‘Ave Maria’, which appears on the album, A Very Special Christmas 3 [1997], in the liner notes of which they state they deliberately chose a classical work to help interest young people in classical music."
(April 2015/1)
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